Welts are Lovebites

Karen Leong

(she/her)

@karen.gif

Welts are Lovebites is a poetry collection written during the Sydney lockdown. It is organised around the staleness of self-love and attempts to capture the brevity of feeling in-place as in my own body, and how these corporeal tensions are upbraided by race and dysmorphia.

Gadigal Country

On the cutting floor

somewhere on a grassy knoll

I will find myself with the taste of metal

on blue battered lips

the sky was spoilt milk

and static fringed the edge

swimming into frame

‘round the corner of a last standing

lap

until legs

gave way under

buckling in the fine-mist of spring

a betrayal of two kinds:

yoplait bypassing lunch

did not carry me past the line

I count hairs

on lumbering gait legs

clamber

over my still-beating body

sometimes, fourteen

is not emerging from

mile run heat

dead first as before

Be it PE shorts soiled on muddied tarp

half-melted kinder bar pressed

against your thigh

thinking dazedly of a runner’s high

now when I falter

sit in thrall at the self shrinkage, (I might need a shrink)

Her pruning form materialises —

with the ghost of victory still

warm on her breath

somewhere between yesterday and tomorrow,

I land clean on my feet

fetching

this is a world of pretty girls

sometimes i am one of them

Creamy, wisp and thistle's teeth

garlands inlaid for the setting sun

every letter

of love trembles in wake of feeling like today

I am a pretty girl

adopting airs of fancy

while i take blow by blow

paw softly at the face

pried loose for only

myself to see

heft fingers around my wrist

remember three times a day

i need to feel something like full

now don’t start getting ideas!

threaten to spill

bowing three times

remember pretty was feet scrubbed raw

Bound in tiny parcels

counterfeit liberation for the tightrope women

descending before me

now my world is full of pretty girls

within reach, we pepper the screens

slash through convention

wring pretty from textures

made haste to abandon

remember I come from a line

where pretty is a garnish

dancing on water,

a two-pronged sword

welts are love bites

With a tender teething heart,

I pry the dead fly from my palm. unseal its mulched body,

set against mine

sometimes my vision whites out dragging with it

chaffs of wheat-like hair.

everything is unsticking:

Feel the coiled thrum of once was come undone

my mother is on the screen.

cutting in and out a gimmicky concern over dial tone

If you want me to be happy you should be happy

the days wilt like fresh sheared flowers — browning til the very

last

moment. drop into a curtsey, collecting on the floor

today I text a friend: the weather is nice cram each drop of good into

dappled leaves I feel nothing has become porous

can I chase the sun? charge full throttle

heel my steps with a purpose no longer felt

towards the out the great expanse

Peggy lee croons. me and my shadow

I feel mine at the navel

Hooked, deft-like softening my fall

when did i start to blunder

this two-step medley of time scrabbled tiles

one strong gust of wind

could have me keeled

sic on this body

Bites sprinkled in between

one step man cha-cha

two step bug and twist

stop drop,

rolled into one — sometimes this body moves

lovingly On its own

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The Darling Skin (Anthology) - Stephanie Powell

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